In
1945, when Irish novelist Elizabeth Bowen proposed “The novelist’s perceptions
of his characters take place in the course of the actual writing of the
novel,” she said this without any sense that novelists were all men. The
masculine pronoun was normative in discourse. That February her concerns were
other than whether English is implicitly complicit in patriarchy. Inclusive
language woke us to the assumptions of gender imbalance. Now writers go to
exorbitant lengths with pronouns to avoid sexism accusations. Welsh mystic
Rowan Williams resolves this dilemma by regularly using the feminine, “The
novelist’s perceptions of her characters take place…”
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