Barely
discernible, Air on the G String sounds from after-party windows of May: candelight,
firelight. Clonks and imperfects add to the feel. The Air’s temperament, never devolving
into melancholy, is discerned through scratches and aged bumps of 78. At 27 the
thread tug-clicks inside crappy cassettes, slowing to a whine before massing in
brown tape clumps. Bach’s mathematical manner rarely obtrudes on his verve,
though perfection’s taken to new extremes on compact discs of scintillating
sameness. Thus habituated, musicians online outgrow compactness. Elongated
ambience and you-tuba versions intrude. An artist performs the Air with a large
ensemble of filmy g-strings.
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