Friday, 28 August 2026

Vellichor

 August 28 Word of the Day: Vellichor 

Today’s word will be unfamiliar to you, very likely, arriving via a library e-list in England and Marion Smith: vellichor. Marion is responding to posts about the Tyndale Bible, but specifically about the olfactory atmosphere of rare books rooms in general. Marion herself must be a librarian but, in the nature of e-lists, due to their olfactory remoteness and social obliqueness, all we learn is about her enthusiasm for the newly discovered word vellichor, which she had heard for the first time on a radio program. She provides a link to a website called The Perfume Society, devoted to every kind of smell, with emphasis on the nice smells, and an article by the well-informed Suzy Nightingale. Clicks to Suzy Nightingale deliver a 404 Oops page so we hope Suzy is real; she is certainly the full bottle on perfumes. Suzy’s article directs her nosy readers via link towards her article entitled ‘A Shiver of Vellichor : On the Satisfaction of Finding New Words’, once more an Oops moment, making one wonder if The Perfume Society is in the business of leading readers astray. Never mind, because Suzy, if she exists, also tells us that vellichor is a coinage of John Koenig in his ‘The Dictionary of Obscure Sorrows’. The link to which takes us to an Amazon page for this work, so it probably exists. Searches for this work deliver snazzy promotions for Koenig’s book, but not a definition of vellichor. Fortunately, Suzy helps us by writing expansively, outside the dictates of dictionary definitions: “Specifically, the word ‘vellichor’ sketches the overwhelming wistfulness that can engulf us when we enter an antiquarian bookshop or library, and are plunged into an olfactory sensation far beyond smelling the paper, leather and dust. Just as the olfactory word it was inspired by – petrichor – is larger than the sum of its parts; so vellichor conjures a fragrant universe far beyond the smell of a room lined with leather-bound tomes, ‘which are somehow infused with the passage of time.’ We feel nostalgia for our own past, for the memories instantaneously triggered when we pick up a particular book, for that comfort the very act of reading and escaping to another world can bring.” In other words, the coinage vellichor is precisely about the smell of old books. Vellichor, a celebration of decayed wood pulp, appears to be an invention using vellum + ichor, which is to say calf-skin + the liquid flowing in the veins of the gods. While Koenig’s coinage expresses an experience pleasurable to many millions of people, it exists imaginatively in that period in early printing when paper succeeded vellum as the main stationery for book production. The autumnal new word’s presence is as fleeting as an e-list entry, a 404-page, an Amazon sale, a website bio-line, or the smell of a room full of antique books. Further searches explain that Suzy does in fact live and breathe, in fact writes exclusively and in depth for The Perfume Society and gets flowery and grand on such ephemeral outings as Instagram, her breathing being the entire time in and out through the mouth and, significantly, through the nose.     

 

 

Thursday, 27 August 2026

Light

 August 27 Word of the Day: Light

 

Rooftops arrayed at daybreak. Windows squared with new. Streets sometime were wetter. Light through garden railings. Faces washed and dry. Cloud very much whiter. Car sills winding up. City immersed in colour. Twinkle of backlane urine. Dogtag shines in fur. Brooch draws a line. Tireless reflections of watchface. Sunlight full against bookspines. Mouse twitches screen glow. Pages open for attention. Afternoon light slow bend. Faces watching the crossings. Flow shimmering under bridges. Light behind each blossom. Hair soft in sun. Home of finding switches. Wineglass curve at rim. Same fine cutlery look. Shafts inside flower vase. Tiny moon standing-lamp off.

 

 

Wednesday, 26 August 2026

Sentience

 August 26 Word of the Day: Sentience

 


In today’s class we learn about sentience structure. Sentience structure is how all the parts of sentience fit together. If you want more advanced and interesting sentience, you first have to understand how sentience structure works. Sentience structure is the order of all the parts of sentience: subject, predicate, objects, phrases, punctuation. They combine, they modify. Emotion comes into play, subjective states are applicable: dejects, predilections, abjects, phases, punctuality. Sentience requires at least a verb and a subject, though some musicologists dispute this. Cosmologists are tight-lipped. The same applies if you stand on your head or go for a long trip somewhere you have never been before. There is present continuous, auxiliaries, exceptions and imperatives. Imperative sentience is sometimes all you need at stressful moments or when in doubt. Stop! a single word completes sentience, at least theoretically. The verb is stop, and no subject is necessary because it’s a command. Life goes on, with or without this imperative to stop. (Some say stop is anathema in sentience.) Sometimes sentience adds objects, which are nouns that also participate in the action. Examples abound, when they can be put into words. Sentience may be direct or indirect. Verbs govern subjects, or vice versa, ditto direct objects and indirect objects, though some of those are completely ungovernable. Indirects may receive directs. Indirect objects come between the verb and direct object, leading to some awkward silences. This is harder to tell in early manuscripts with period punctuation, wingdings, daggers, and romantic outbursts. Aside from knowing the parts of sentience, you also have to follow the rules. In case you forget, here’s a quick list. Capitalize the first letter of the first word in any sentience. End sentience with a full-stop, question or exclamation mark, exclamation point, quote marks, or curlicues for all anyone cares. It’s crucial to understand how clauses work. Sometimes a clause is a complete sentience on its own. It is not always asking about your own well-being. Subordinating conjunctions need to be memorised, while you must be on guard for insubordinate clauses. To recap, there are basically four different types of sentience structure: simple, compound, complex, compound-complex. Your homework is to write a 500-word essay on common insubordinate clauses in everyday life. Tomorrow’s class will look at the relationship between independence and subordination, with special attention to auxiliaries. If you are not feeling top-of-the-morning ask your doctor for the day off.