Saturday, 29 March 2025

Bottle

 


[Bottle]

 

“Guidelines when Painting“

 

Pierre Bonnard, detail of ‘Dining room at Le Cannet’ (1932)

 

Remind them of the shape of bottle

lip and neck and base and not too subtle

how it fills the space not too little.

 

Erect the form using line. incorrect colour

the time it takes to fill with water

or something sweeter or tipsier, richer.

 

Suggest body with blue patch of window,

crimson curl reflection, distant dayglow

inside glass silver liquid, go with the flow.

 

Demonstrate, using cubist traction

impressionist smudge, baroque affection,

its air of indefinite abstraction.

 

Imagine the genie who got us all here

all the questions so far yet so near.

all’s as it appears, yet changed it’s clear.

 

Write the message bottled for their word game

who still have to find out how futile is fame;

only love, work, rest, signed with your name.

 

Imply that all objects have such mystery,

the contents take effect in all their variety;

the poet said it, the world’s incorrigible plurality.

 

Describe its glassiness as simply the start

of iconic afternoon its edges prefiguring dark.

there are years wherein to appreciate the art.

 

Leave it to breathe where you saw it last

to the gaze of aging friends sharing the past

and the young who find the whole thing a blast.

Sunday, 23 March 2025

Table

 


[Table]

 

“Guidelines when Painting“

 

Pierre Bonnard, detail of ‘The Table’ (1925)

 

The head turns this way then that

so show that, with her face hidden at

an angle in thought whereat she sat.

 

The arm embraces as well as fends,

so show as veins and nerves extend

its curve, how the muscles flex and bend.

 

The hand puts all things in their place

so show how the fine parts hold in space,

move slight, or swift, with speechless grace.

 

The plate holds the earth’s goodness

so likewise show its hue and centralness

hard and round and chipped no less.

 

The knife there has ten thousand uses

so solitary, like a paintbrush that sluices

seizes on sizes, renders and reduces.

 

The bowl upholds all things their forms:

attend to the round, sharp, frilly, forlorn

each resting in transit to their next morn.

 

The table, the tablecloth picture the day,

so centre them so with the daily display

of our needs, our work, our play.

 

Then, the door exhibits our small universe

so render both dark and light as at first;

stay this side or exit, for better or worse.

 

The shadow shall speak of passing time

so define each body and object’s special line

outlined by light, and made a certain sign.

Monday, 17 March 2025

Suburb

 


Glen Huntly at Daybreak

[Suburb]

 

“march suburb haiku”

 

there’s a crack in everything

yarraville

and that’s how the light gets in

 

the compost is perfection

thomastown

the tomatoes turn bright red

 

minutes broadmeadows glenroy

pascoe vale

west brunswick on the freeway

 

pobblebonk frog from log drops

moonee ponds

into the water kerplop

 

the weekend arena of

jolimont

its roar of weekday workers

 

more green leaves than yellow leaves

collingwood

soon more yellow leaves than green

 

oh apartments apartments

south yarra

apartments more apartments!

 

the ubers go too fast through

elsternwick

and the trams go far too slow

 

cream brick fifties make way in

cheltenham

for the chocolate brick twenties

 

heatwave conditions of march

kananook

cool into daylight saving

 

glades caper and shimmer in

rosanna

eltham copper butterflies

 

patients in emergency

heidelberg

doctors talk in corridors

 

dry side toasts with rainwater

camberwell

wet side floats on gold bubbly

 

same same, same but different

glen iris

ashburton glen iris, same

 

eucalypt mural barks of

mooroolbark

and morale barks of park dogs

 

there’s vietnamese spanish

dandenong

peruvian sudanese greek

 

more carparks stores trolleys as

pakenham

grows miles in all directions