That
ink was the Dark Lady who brought William Shakespeare lasting glory is a
theory. As he sat in a snowed-in house one January, commissions for unfinished
plays on his darkening conscience, was he moved to declare undying (or even
dying) worship for this black, serpentine and fickle liquid? He had first loves
and last loves, but was the Dark Lady the print on his page, the ink in his
well? In truth, he seems indifferent to being published at all, as if the world
and theories could end tonight. Deadlines, deadlines, so little time! But
still, who was she?
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