From
Linda Oh’s bass bumps the shake, thorough thrum, the sidewalk blues of basic
into their intrinsic underlying flavours. From Dave Douglas’s trumpet bursts
crackles crashes memories of worksite, backstage, November kitchen places the
salt of the earth go. From Matt Mitchell’s piano articulated blocks and side
streets and escalators and 20th-century-constructed contours
combine, season their colours. From Jon Irabagon’s saxophone filter the
familiar spices of a city of hundred storey saltshakers and world’s tallest
peppermills. From Rudy Royston’s drums a proposition takes form, tall is
terminal, taxis are tenacious, demand is all across battering waters of the
Hudson River.
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