The novel that tells of the
refrigerator without naming the refrigerator, as without the refrigerator the
modern novel would not exist; that tells of a television, not just any
television but ‘his television’, the box in the blue corner which introduced
and contested his hundred illusions; that tells of his gadgets, their immobile
personalities he switched off in November, or on in November; that tells of the
washing-machine of survival; that tells of the typewriter he sometimes played
like a piano, sometimes like a hammer, copying manically all the words that,
blue miles, came out of a chewed nondescript biro.
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