Arriving
to be handed a pint glass of intoxicants, the air a dream of verbosity and
marijuana trumpets, a friend of a friend’s party continuing into the night a
dishevelled conference with friends of friends, the exact purpose of the party
less clear at departure than arrival, is Prahran. Dropping off the proofs
earlyish of the exacting school magazine to the printer in a forgotten side
street, sometime in youth, wayward artwork and limpid photography and
enthusiastic compositions, frost hard on bluestone, is Prahran. Flipping
screaming alternative and freewheeling jazz and big-city rhythm and blues
albums in aisles of A-Z bins off the autumn street beneath crisp fluorescents, a
strange Detroit classic roiling from the duct-tape speakers, to find a pressing
not until then thought a pressing interest, is Prahran. Is it a suburb, or a state
of mind, Prahran? I’ve often wondered. Fronting the counter of the all-hours
cellar, its liquid assets in shining glass from floor to ceiling, there to
support the manifold thirsts of those around the corner, red-nosed reined-in
dear-at-that-price tipplers, liquor-is-quicker clientele, six-packs for any
occasion, a dipsomania big as Tasmania, day and night peering through a glass
darkly, or sparkly, is Prahran. Watching, from shifty makeshift scaffold
seating, actors turn themselves inside out waiting for Godot, or simply waiting
for the reviews, a legally binding tree standing mute witness to their comings
and not goings, a simile, or facsimile of backyard existence, its curt
rejoinders and febrile academicism, in Prahran. Sitting in the sixties going
somewhere, only where, when it’s ninety Fahrenheit behind meticulously designed
wooden slat blinds of a green rattler, hot wind exorbitant, as jaywalkers weave
front and back of the tram halted by jams of Valiants and Holdens, too hot to
read, just breathe, is Prahran. That much is clear but doesn’t answer the
question, is this a suburb, or a state of mind? Sipping the first coffee at a busy
window and waiting for the toastie, remembering the American bookstore and
whatever happened to the American bookstore, and why are the rare books dealers
relocating to industrial parks, as the toastie arrives, and where would an
author begin writing their great Australian novel with the creative rule, write
only about Prahran. Observing from a safe distance Jaded Bayside Commuters
(JBC) beelining off the beeping doors towards the immovable rail gates past the
old heritage ballroom and the defunct Continental, destination a night home in
cottage or unit, their eyes preoccupied with being occupied, their demeanour
meaning business, no time to stop and talk, sidestepping the issue, if there is
an issue, is Prahran.
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