The
twentieth century tapped away
Its
final draft, its full-stop certainty;
Ink
ribbon extended into eternity,
Carriage
of meaning pressed against the day.
Typewriter
century caps and wingdings,
A
roomful of clicks dots stops raps returns
Made
it quite clear what were its concerns,
Sprayed
the page neatly with its type of things.
Its
secretarial sincerity,
Its
Olivetti confetti hi guys,
Its
machine-like dream-like dexterity.
Its
concrete verse on feathery paper,
Release
from keeping inside justifies
Drawn
to something familiar here.
Photograph: two pages of
concrete poetry by Keith Haring. There is a whole room of Haring's typed
writings at the NGV show. It reveals his early fascination with words
as images. He has obviously encountered the extra-marginal world of the
concrete poets. Some of the poems are political, others suggestive and
sonorous. It seems he let go of this form when he started his city art
full-time, but it's a sign of where he was going to go. Fluorescent
tubes are also very twentieth century.
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