Photograph of Mirka Mora invitation words at Heide Gallery, taken by Carol O'Connor
In her books of memoirs Mirka Mora writes somewhat like
Gertrude Stein. Not the Gertrude of ‘Tender Buttons’, Mirka’s sculptures are her
tender buttons, but the Gertrude of ‘Paris France’ and ‘Wars I Have Seen’. Mirka
lived in the same Paris described by Gertrude in those books, a style that
adopts a child-like appreciation of everyday people and things, now those people
and things could be taken away overnight by brute force. Mirka’s handwriting is
decent copperplate. Her months are clear, starting with lucid January.
Gertrude’s are not lucid. She goes out of her way to make her handwriting
unreadable.
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