Then H. What
is there to say about H? Is it hollow? Aitch or haitch, the stylists are
aspirational. High as H is in the operations of language, its absence is
equally to be noted. It harumphs words, hurts them into poetry, helps with the hum
breath produces, then hovers undemonstratively, servant of its alphabetic
colleagues. It is soft as a sighing September breeze (zephyr, if you prefer) or
hard as a hit of hail. Hell is meaningful, and Heaven. H’s structure, like two
I’s holding together with a line, is a frame for everything, heart’s hope
through to hoo-ha.
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