On
iPad David Hockney draws in colour every morning a flower. Touch the screen and
usual forms take animated shape. Thumb and forefinger direct vermilion shadow
behind bending pink petals. Brushes app, a paintbox of pixels, supplies bright
yellow outlines, more California than Yorkshire. Stylus styles a cut glass vase
from dozens of white jabs. It’s a ‘painting’ smoother than any canvas, outside
it might be September somewhere. Then David Hockney lines it up and iPhones the
flower to his e-list. Facebook, even. It pulses in a darkened gallery near you,
or on your screen, like a work of nature.
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