Paul Cézanne’s foreground,
if it is foreground, emblematises terracotta rooflines and larger trees. The
sky is almost blue, like July, with depths of grey cloud built in lines above,
and merging in places into, hills that are blue: light blue, that
another artist would use for sky. The unmistakeable Dandenongs, in colour
shapes, stretch the width of the colour field. Some squares of blue and brown
effect the solidity of hills, while squares of blue-white, sided by pastel
lines, imitate haze. He made several canvases of the view from the Ivanhoe
ridge, all but this one now in private hands.
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