Giovanni Antonio Canal,
while celebrated for his ‘vedute’ of grandiose cityscapes and wealthy
interiors, is a dedicated realist. For every extensive view of proud
achievements Canaletto gives us a dry dock or stonemason’s yard to remind us
how show-off came about: ‘Inner-City Carpark’, for example. Backsides of old
houses have been part-demolished and blanked over in greys and whites. Zig-zag
brickwork meets concrete slab in collages of architecture pushed aside for
extra little spaces to accommodate the latest motorised vehicles. Typically,
Canaletto plants observers, their presence in the bleak July sunlight
reassurance of the human dimension in these oversized vistas.
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