Standing
at Westgarth Station the anonymous author considers how clouds superimpose themselves
on other clouds, cold as snow. The clouds are images in his mind, slowly ending
up upon alpine plains. A high bridge arches across the sky in his mind. The
anonymous writer wonders why Gerald Murnane never uses the name Gerald for the
first-person narrators of his incremental fictions. But not for long, as he
finds images in his mind are of white expanses of Finland. Snow footpaths and
snow windows show at some unearthly hour and briefly the moon the same. There
are ice rivers and ice rinks all day in daylight then candles in the windows
when an unearthly sunset makes everywhere black and the winter sea. Westgarth platform
is an arc. Large mirrors on sturdy stilts help the train driver see the back
carriage exits and entrances. The anonymous author notices how superimposed
clouds and a bridge in the sky are reflections in a large mirror on Platform 2.
Surface glaze and white sprays of graffiti improve the superimpositions in his
mind. He thinks it must be exciting for humans and wolves when the darkness
breaks open with a red line that widens into pink and yellow, in Finland, in
winter. Windows and exterior landscapes turn white, making space for memory.
When a Hurstbridge express train hurtles through the arc of Westgarth, disappearing
around the bend, the station is left feeling redundant. The anonymous author
senses the loneliness experienced sometimes by characters in stories by Tove
Jansson. A mirror on stilts temporarily reflects woodlands and cold lakes and
pale blue skies. He sees the music of Jean Sibelius, chilly and austere
sonatinas, proof, if only in his writing, that music is visible. The unnamed
writer wonders why Tove rarely used the name Tove, though all the characters in
her fictions were people in her life. Tove gave them special names, some of them
look like clouds and the main ways to reach islands in Finland are by boat or
bridge. The nameless composer in words considers it a great relief to know
wolves were never introduced into Australia. He wonders if an academic living
in Westgarth with nothing better to do will one day collate a who’s who key to
all the people in the novels of Gerald Murnane, formerly of Macleod. He recollects
images in his mind in a glass whitely on stilts of the frozen north, or is that
the melting north, or the misty north, the slushy north, the pale blue north? A
stopping-all-stations to Macleod rounds the bend, slows and halts along the
arc, beneath the bridge in the sky. Five people get off and two people get onto
the train, also the unidentified author into the second front carriage. The
driver waits till all is clear then closes the long line of carriage doors.
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