Peter
Porter has one eye on you and one eye in thought. By accident or design, this
photographer has captured the bifocal nature of the poet. The first time I ever
met Porter was in the English Department of the University of Melbourne, was it
July? I used ‘realised’ in a poem. He took exception to ‘realised’, feeling
this word should be used of sculptors who ‘realised’ the form within the matter
at their disposal. Not, he felt, in the way I had used ‘realised’, in the sense
of a cerebral process. He was keeping an eye on my wherewithal.
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