Down
here at eye level twentieth century’s Braque hatchings end. Sunrise enlightens
grease slicks and loiterers’ solo slop Klee lettering. Sketch plans incorporate
carparks between parks and Mondrian polychrome buildings. Hard squares, bold crosses,
long lines for miles mock Malevich. Guston guzzlers maraud the territory
anxious intent for vacant spaces. Midday is stop and start May Sales golden as
Gascoigne. Vehicles’ drifts and detours delineate Steinberg permanent parallel
swerves, forever. Layers of blinkers and door-mirrors queue towards
Rauschenberg exit ramps. Nightfall clouds the lines between Pollock frenzy and
Rothko melancholy. Midnight carparks borrow moonlight edgings, metallic
scratches in Tàpies etchings.
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