Future
his head dips into every chance,
Standards
oiled with touchstone and devil cares.
One-time
two-time uptown and micro-scares
Wears
goodtime sneakers his on-the-spot dance.
Present
his hands reach half-yes half-okay
Notion
becomes entanglement city
Industry
and wish and something pretty
Or
just a window to throw a bouquet.
Like
now when traffic has gone to sleeptime
Freeways
waltz-time scarcely a flourish
Now
too gold old avenues of deep time.
Stay
at home order plays favourite subjects
Inescapable
whatever finish
Record
company ‘Likes’ into objects.
Window
Series. The single window of the cottage. This tribute to European photography
repeats the trope of having a wall or window or ceiling that has been
infiltrated by nature from the outside. The cottage in question is our
inherited two car garage, never used as a garage but converted into an artist
workshop and library. The brown vertical object is the fallboard of a WERTHEIM
MELBOURNE piano inherited from I know not where. The poem is the start of a
tribute series to pianist-composers. Our house has been full of piano music for
weeks.
No comments:
Post a Comment