December
offers not much more than light at the end of the tunnel. It’s rats alley where
rails curve under Jolimont. Wall lamps are caged against smashers. When express
services cease ‘mad’ muralists enter the arched cave with spraycans. Filmed
with dust, musty after rain, rusty with tins: Victorian redbrick built to last.
Bored and drugged, they mark out their initial territory. Sunrise is a
sensation by slow degrees. Heavy duty, trains return, a thousand lights at
stylish windows. Carriages never stop but for a signal from beyond. ‘Mad’
novelists keep the travellers’ attention, scrolled down with compulsive index
finger.
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